Just heard the admiral. [ There’s a neutrality to his voice: He’s willing to give the pairing thing a go, and he likes Charlie enough. Reminds him of a detective–or at least, the idea of one.
He glances down at the desk, at the half-finished work he still needs to do when he doesn’t even know what he’s writing, and decides yeah. Work meeting. ]
Sure, [ he says easily. Charlie would like to not fuck this pairing up by being preoccupied with Everything, and given what he knows about the three kinds of Barge encounter, he thinks he's going to need a head start. Oh god is he going to need a head start. ]
My cabin's open. And I got a futuristic coffee pot here.
[ Charlie's cabin is no creepy attic, but that comes entirely down to someone else's design choices, because guess what: it's literally one of the default rooms. Charlie clearly lives there -- his drinks are on the shelf, his dishes are in the sink, his coat and hat are thrown over the back of a chair -- but the cabin and furniture themselves are modernist, clean-lined, not something you can picture a guy smoking noirly in while a dame asks him to solve the case of the malted duck.
Trust your nose, though. Noirly or not, he smokes a lot in there.
Charlie welcomes Alan in with a curious glance at the bag and an easy half-smile. Trying to keep it comfortable, even though their dynamic has obviously, uh, shifted.
Perfect timing, it's just ready to pour.
[ Which he does. Alan might recognise the "futuristic coffee pot". It's the kind of standard filter coffee-maker you could get for like 35 bucks on Amazon in his time. Listen, Charlie thinks it's neat. ]
[ He flashes a small thin smile and a nod as thanks, the quintessential White Male Protagonist move as he glances around the place. Sparse. Not barren, but alarmingly mundane and not at all what he'd expected from someone from the 1900s. Another quick flick to the coffee pot--futuristic?--and he decides not to comment. There are other things far more pressing.
He wanders in a little further, finally landing on looking at Charlie. Here's the bigger question: how the fuck is going to bring what he's seen up? This is awkward in more ways than one. ]
Look--just because you and I are paired for a little bit doesn't mean this has to be weird, right?
[ Has he? Yeah. He thinks he did. There was something in the minifridge he grabbed. Right? No. That was yesterday. Fuck. The issue is that there's something fresh in his mind--a bucket, lowering. The harrowing feeling of hunger, pangs so intense they've looped back to miserable numbness. ]
[ Welp. Saga, he tried. Charlie's sure as hell not missing breakfast himself, so he hands over a cup, then snags an apple from a bowl by the sink. He leans back on the counter edge and takes a bite, swirling the coffee in his own cup gently, letting it cool a little. ]
[ He'd typed it out in a manic frenzy, rushing to slide behind his desk, putting a new sheet of paper in and letting the familiar song of inspiration lead the way, reverent and intense. The words seem just as fresh as they had been then. Maybe he should have brought the page, but he's glad he didn't. It's somewhere safe, away from everything and everyone.
Coffee's placed in his hand and he doesn't take a sip, instead letting it warm his hands. Fuck it: best to just get it out and over with. He's positive the echo is Charlie's. ]
Did you have a dream about being stuck somewhere? Some sort of hole for a very, very long time.
[ His head hurts an astronomical amount. He ignores it as much as he can, and finally lifts the cup to his lips. ]
His face has no particular emotion. He keeps chewing the piece of apple, but he chews it very slowly, like it's lost its taste. And he looks at Alan.
His breathing stays perfectly steady, the way a person inside a straitjacket stays still, and he looks at Alan.
And then he says, as casually as he can manage -- which is pretty fucking casually considering the circumstances, but still haloed with an echo of an echo of shock -- ]
I know this sounds crazy, but I get glimpses of things. Inspiration. That's happening here, too. I don't know how but I can still find some of it here.
[ He gives himself his own advice: cut the fat. Give the reader exactly what they need without any frills. No distractions. Alan exhales through his nose. ]
And I saw it. You. Not--fully, but I saw you. Trapped like I've been, but different. Asleep and not. You were hungry. Starving... [ he glances at the apple, feels his shoulders tense a little as he thinks of what had been lowered in that basket, slides his eyes back up to Charlie. ] ...keeping track of days because this sort of thing had happened before, but this was the longest you'd been there.
[ It feels rude to take a sip of coffee right now. He taps the finger with his wedding ring on the ceramic, the muted ting dull but comforting. ]
[ The first part gets a vague huh that could mean anything. And then Alan keeps talking. And Charlie...
Makes himself swallow the well-chewed piece of apple, because the alternative is picking it out of his own mouth and throwing it away. Makes himself keep it down. Doesn't take another.
Puts the apple down and subtly touches the outside of his pocket, just enough to clarify that the paperweight is there. The bracelet, too, is still around his wrist, under his shirtsleeve. His talismans.
Repeats silently to himself: it's not a trick. People have strange abilities here. It's not a trick. It's not a trick.
Grips his coffee cup with increasing force. His hand is steady, but in danger of breaking something. His eyes are steady, and remain on Alan's face, but there's no great impression that Charlie's all the way looking out through them.
He isn't angry that Alan saw it. He shut down too fast for anything like that. It's insane, but the only thing he can think about is that Alan didn't get all the details right. It's-- it's vital to get the details of it right. When you're lied to in your own mind for ten years, if you ever find something to be sure of, you suture it to yourself.
So he shakes his head. It's only a small movement. ]
[ Alan watches him carefully, watches him shift, transform into something a little different, like a mask has slid off, or maybe even on. He doesn't know Charlie well enough--but he knows it's affected him.
No fucking shit it's affected him. Alan blinks, wanting to say something, falling short until Charlie supplies a singular word and a fraction of a movement. The writer's head bows low in turn, staring at the blackness of his coffee. ]
[ He could explain that he couldn't see the sky from inside the cave where the prison pits were located. He could explain that his watch was broken years before, though he never found out what he broke it with. He could explain that the day-night cycle of the Dreamlands isn't something he would have trusted not to shift on a whim. But -- no. No, no, he couldn't explain. He wasn't mentally prepared to think about any of this. How the hell has this happened twice? ]
[ There's a weight to those words, a hard hitting oomph that Alan swears he can feel. His grip on the mug grows tighter for a split second, hands flexing in response. The air feels uncomfortable, heavy like humidity. ]
Charlie, I... [ Alan trails off. He what? He's not sorry he found it. The contents aren't what he was expecting, sure, but he doesn't regret it. ]
[ It occurs to Charlie to drink some of his own coffee, because normal, boring actions lead eventually to a normal, boring state of mind, most of the time. His hand jerks instead, spilling coffee on itself. It hurts. He narrows his mouth and blinks.
Ah, there's the shakes. And here's a cheerful tone coming back into his voice, and a new edge to that cheerfulness: ]
[ this feels to deep. Too personal. There's something in the back of his head that's fighting with something else, undercurrents of thoughts warring with each other.
This is great material, one part says. Charlie's clearly got some PTSD and he needs to back off says the other. But guilt is easily buried - Alan needs this. Maybe Charlie does, too. Alan knows what it's like to be trapped with nothing but yourself. He can relate, if not fully, than more than most people on the barge.
Or maybe Alan's bending things to suit his narrative. The writer reaches to the table next to him to pick up and hand Charlie a napkin for the coffee, takes note of how the spill seems to snap the detective back and use that too cheerful tone. Alan keeps his face fairly neutral. ]
[ Charlie takes the napkin, mops up his scalded hand more roughly than necessary. Comes back to the extent that he's starting to suppress anger rather than being void of it. The outward difference is that his expression is deliberately closed instead of vaguely, hollowly closed.
So Alan got this fucking vision and, what? Decided to come and surprise Charlie with it and see if he could find out more?
Charlie doesn't often get the urge to punch somebody, and in this instance it surprises him. He breathes in carefully, and breathes out carefully, quite tense, and he reminds himself: they aren't just two guys talking on the same footing. They're two guys here for specific, different reasons, with specific, different responsibilities. Maybe this can be a teachable moment (the lesson: not being a shithead).
And anyway, Charlie's been being pulled, stunned, around the conversation. So he plants his feet and pulls instead. ]
How about you? You get trapped anywhere nice? [ Like they're comparing summer holidays. ]
Look-- [ Alan's not sure he even has the footing to tell the other guy look, considering, but he has one hand raised in a slightly in what he hopes is a nonconfrontational gesture. ] --I know it's a lot. But it's better for both of us I told you.
[ And here's the next part, Charlie moving the conversation along perfectly. Alan takes a sip, leaning against the counter. Tries to curb the part if him that's starting to get a little defensive to mild success. Makes a mental note to go to the infirmary for the barge equivalent of a bottle of extra strength Tylenol. Easier to do that then to dwell on some of the stuff he kind of owes it to Charlie to say now. ]
[ That gets a laugh out of him. It's humourless but there, and physical act a strange sort of relief. If anyone's going to get it, it's going to be this guy. The edge of the counter is sticking into his lower back, but Alan doesn't move. It's kind of nice to have something to ground you, as vaguely uncomfortable as it is. ]
Alright. [ He contemplates for a moment, but it only takes a second. One of his hands moves to push some of his hair out of his face, index and middle finger pausing a brief second in the middle of his forehead. ]
It is dark and cold, but it's more than that. It's alive. Everything about it is alive, not flesh but a presence. It chokes you, twists you and what you know, what you think you know, what you believe, your sense of self, it slowly saps you, drains your sanity like it's feeding itself. It's--it feels like you're diving into an abyss, and when you try to swim to reach surface, you never can.
[ Alan pauses, taking a sip of his coffee. A chance to breathe. ]
The feeling that you're drowning never really goes away. Even when I found a way to navigate the currents, even when I forgot everything, I still--
[ Alan grimaces again, another flash or bared teeth as he abruptly cuts himself off. The coffee tastes bitter than it should. He glances down, then back up. There's no light in his voice. ]
[ Charlie listens with a flat, serious face. Lets Alan talk. Takes each new piece of information like Alan's revealing a new bullet wound. It's hard to pinpoint how his face has changed by the end of it: it's still serious, still flat, but something in it speaks to dread and something else to understanding. He isn't annoyed any more. ]
Jesus.
[ Low. ]
Yeah. I do.
[ He hesitates, and exhales slowly and thoroughly, pushing and pulling his own tongue around a question: ]
Does the name 'the King in Yellow' mean anythin' to you?
[ This place is full of coincidences. What's one more? ]
[ Alan's perfectly content to brood. It's his default state, and he's fairly certain it's Charlie's, too. The lack of doe-eyes and sympathy is nice: they both Get it, capital G. No need to press. No need to push. He was genuinely expecting a fist in his face with all of this, so he's counting his blessings when the other speaks again. ]
The stories? Yeah. Huge influence for me, right up there with Stephen King.
[ Charlie has encountered, briefly, the concept that some people here are from worlds that exist as stories in others. Fair enough, fair enough, one more card in the weirdness deck. But he hasn't thought about it in a while, and he definitely wasn't expecting to be on the wrong end of it.
So Alan gets a one-word, surprised response. Another doom-laden wham line. How many is too many for a single scene before it gets hokey? We'll leave that question up to him. ]
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
15th June, audio
Hey, Mr Wake! It's me. Looks like our next bar-hop just turned into a work meeting, huh?
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He glances down at the desk, at the half-finished work he still needs to do when he doesn’t even know what he’s writing, and decides yeah. Work meeting. ]
You free now?
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My cabin's open. And I got a futuristic coffee pot here.
> spam
[ Thank God. His cabin, while containing amenities, still boils down to 'creepy attic.' Works for him, but other people? Probably not.
When Alan knocks, he's dressed the same as he was before, messenger bag with the lamp and his flashlight never leaving his side. ]
no subject
Trust your nose, though. Noirly or not, he smokes a lot in there.
Charlie welcomes Alan in with a curious glance at the bag and an easy half-smile. Trying to keep it comfortable, even though their dynamic has obviously, uh, shifted.
Perfect timing, it's just ready to pour.
[ Which he does. Alan might recognise the "futuristic coffee pot". It's the kind of standard filter coffee-maker you could get for like 35 bucks on Amazon in his time. Listen, Charlie thinks it's neat. ]
Cream, sugar?
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[ He flashes a small thin smile and a nod as thanks, the quintessential White Male Protagonist move as he glances around the place. Sparse. Not barren, but alarmingly mundane and not at all what he'd expected from someone from the 1900s. Another quick flick to the coffee pot--futuristic?--and he decides not to comment. There are other things far more pressing.
He wanders in a little further, finally landing on looking at Charlie. Here's the bigger question: how the fuck is going to bring what he's seen up? This is awkward in more ways than one. ]
Look--just because you and I are paired for a little bit doesn't mean this has to be weird, right?
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Say, you had breakfast yet?
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Coffee's fine.
[ Alan winces. ]
Can I ask you something?
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Fire away.
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Coffee's placed in his hand and he doesn't take a sip, instead letting it warm his hands. Fuck it: best to just get it out and over with. He's positive the echo is Charlie's. ]
Did you have a dream about being stuck somewhere? Some sort of hole for a very, very long time.
[ His head hurts an astronomical amount. He ignores it as much as he can, and finally lifts the cup to his lips. ]
no subject
His face has no particular emotion. He keeps chewing the piece of apple, but he chews it very slowly, like it's lost its taste. And he looks at Alan.
His breathing stays perfectly steady, the way a person inside a straitjacket stays still, and he looks at Alan.
And then he says, as casually as he can manage -- which is pretty fucking casually considering the circumstances, but still haloed with an echo of an echo of shock -- ]
What's brought that question on?
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[ He gives himself his own advice: cut the fat. Give the reader exactly what they need without any frills. No distractions. Alan exhales through his nose. ]
And I saw it. You. Not--fully, but I saw you. Trapped like I've been, but different. Asleep and not. You were hungry. Starving... [ he glances at the apple, feels his shoulders tense a little as he thinks of what had been lowered in that basket, slides his eyes back up to Charlie. ] ...keeping track of days because this sort of thing had happened before, but this was the longest you'd been there.
[ It feels rude to take a sip of coffee right now. He taps the finger with his wedding ring on the ceramic, the muted ting dull but comforting. ]
no subject
Makes himself swallow the well-chewed piece of apple, because the alternative is picking it out of his own mouth and throwing it away. Makes himself keep it down. Doesn't take another.
Puts the apple down and subtly touches the outside of his pocket, just enough to clarify that the paperweight is there. The bracelet, too, is still around his wrist, under his shirtsleeve. His talismans.
Repeats silently to himself: it's not a trick. People have strange abilities here. It's not a trick. It's not a trick.
Grips his coffee cup with increasing force. His hand is steady, but in danger of breaking something. His eyes are steady, and remain on Alan's face, but there's no great impression that Charlie's all the way looking out through them.
He isn't angry that Alan saw it. He shut down too fast for anything like that. It's insane, but the only thing he can think about is that Alan didn't get all the details right. It's-- it's vital to get the details of it right. When you're lied to in your own mind for ten years, if you ever find something to be sure of, you suture it to yourself.
So he shakes his head. It's only a small movement. ]
Meals.
[ Nearly a whisper. ]
no subject
No fucking shit it's affected him. Alan blinks, wanting to say something, falling short until Charlie supplies a singular word and a fraction of a movement. The writer's head bows low in turn, staring at the blackness of his coffee. ]
You used the bone to scratch out the days.
no subject
[ He could explain that he couldn't see the sky from inside the cave where the prison pits were located. He could explain that his watch was broken years before, though he never found out what he broke it with. He could explain that the day-night cycle of the Dreamlands isn't something he would have trusted not to shift on a whim. But -- no. No, no, he couldn't explain. He wasn't mentally prepared to think about any of this. How the hell has this happened twice? ]
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Charlie, I... [ Alan trails off. He what? He's not sorry he found it. The contents aren't what he was expecting, sure, but he doesn't regret it. ]
How did you get there?
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Ah, there's the shakes. And here's a cheerful tone coming back into his voice, and a new edge to that cheerfulness: ]
You wanna know?
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[ this feels to deep. Too personal. There's something in the back of his head that's fighting with something else, undercurrents of thoughts warring with each other.
This is great material, one part says. Charlie's clearly got some PTSD and he needs to back off says the other. But guilt is easily buried - Alan needs this. Maybe Charlie does, too. Alan knows what it's like to be trapped with nothing but yourself. He can relate, if not fully, than more than most people on the barge.
Or maybe Alan's bending things to suit his narrative. The writer reaches to the table next to him to pick up and hand Charlie a napkin for the coffee, takes note of how the spill seems to snap the detective back and use that too cheerful tone. Alan keeps his face fairly neutral. ]
no subject
[ Charlie takes the napkin, mops up his scalded hand more roughly than necessary. Comes back to the extent that he's starting to suppress anger rather than being void of it. The outward difference is that his expression is deliberately closed instead of vaguely, hollowly closed.
So Alan got this fucking vision and, what? Decided to come and surprise Charlie with it and see if he could find out more?
Charlie doesn't often get the urge to punch somebody, and in this instance it surprises him. He breathes in carefully, and breathes out carefully, quite tense, and he reminds himself: they aren't just two guys talking on the same footing. They're two guys here for specific, different reasons, with specific, different responsibilities. Maybe this can be a teachable moment (the lesson: not being a shithead).
And anyway, Charlie's been being pulled, stunned, around the conversation. So he plants his feet and pulls instead. ]
How about you? You get trapped anywhere nice? [ Like they're comparing summer holidays. ]
no subject
[ And here's the next part, Charlie moving the conversation along perfectly. Alan takes a sip, leaning against the counter. Tries to curb the part if him that's starting to get a little defensive to mild success. Makes a mental note to go to the infirmary for the barge equivalent of a bottle of extra strength Tylenol. Easier to do that then to dwell on some of the stuff he kind of owes it to Charlie to say now. ]
It was dark where I was. Cold.
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[ He leans against the counter again and sips his coffee as if to spite any nervy part of him that wouldn't be able to do that. ]
no subject
Alright. [ He contemplates for a moment, but it only takes a second. One of his hands moves to push some of his hair out of his face, index and middle finger pausing a brief second in the middle of his forehead. ]
It is dark and cold, but it's more than that. It's alive. Everything about it is alive, not flesh but a presence. It chokes you, twists you and what you know, what you think you know, what you believe, your sense of self, it slowly saps you, drains your sanity like it's feeding itself. It's--it feels like you're diving into an abyss, and when you try to swim to reach surface, you never can.
[ Alan pauses, taking a sip of his coffee. A chance to breathe. ]
The feeling that you're drowning never really goes away. Even when I found a way to navigate the currents, even when I forgot everything, I still--
[ Alan grimaces again, another flash or bared teeth as he abruptly cuts himself off. The coffee tastes bitter than it should. He glances down, then back up. There's no light in his voice. ]
You know how it is.
no subject
Jesus.
[ Low. ]
Yeah. I do.
[ He hesitates, and exhales slowly and thoroughly, pushing and pulling his own tongue around a question: ]
Does the name 'the King in Yellow' mean anythin' to you?
[ This place is full of coincidences. What's one more? ]
no subject
The stories? Yeah. Huge influence for me, right up there with Stephen King.
no subject
[ Charlie has encountered, briefly, the concept that some people here are from worlds that exist as stories in others. Fair enough, fair enough, one more card in the weirdness deck. But he hasn't thought about it in a while, and he definitely wasn't expecting to be on the wrong end of it.
So Alan gets a one-word, surprised response. Another doom-laden wham line. How many is too many for a single scene before it gets hokey? We'll leave that question up to him. ]
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